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The Crotona Park and Hunts Point neighborhoods in the Bronx boast a number of streets named for the literary lights of the USA in the early to mid 1800s, such as [William Cullen] Bryant, [Henry Wadsworth] Longfellow, [John Greenleaf] Whittier, [Joseph Rodman] Drake, and Fitz-Greene Halleck. Another, Edgar Allan Poe, is also remembered, not by an avenue, but by a dead-end alley issuing from another little-remembered lane in Fordham, not far from the small cottage where he lived beginning in 1846 with his cousin-wife, Virginia, and her mother, Maria, until 1849; Virginia died of tuberculosis in 1847. I cannot but feel that Poe would have chuckled at the inconsequential lane that bears his name in the Bronx, while his contemporaries received much longer thoroughfares; Poe once accused Longfellow of plagiarism. A longer Poe Avenue was mapped in Hunts Point in the 1800s, but has either disappeared or was never built.

From an atlas made during the 1910s, note Coles Lane running between Briggs Avenue at East Kingsbridge Road and Bainbridge Avenue, and the dead end Poe Place running north from it. I'm not sure when each lane first appeared, but I'd guess it would be the late 1800s.
Coles Lane
This short street, which is in the line of East 192nd Street but somehow avoided getting numbered, was named for the Postmaster of Fordham in the 1860s, Jacob Cole; he and his brother Andrew were residents here in the 1870s, and I'd have to guess this was the road that led to their homes, perhaps a carriage path.

















I looked upon the scene before me - upon the mere house, and the simple landscape features of the domain - upon the bleak walls - upon the vacant eye-like windows - upon a few rank sedges - and upon a few white trunks of decayed trees - with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium - the bitter lapse into everyday life - the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it - I paused to think - what was it that so unnerved me in the contemplation of the House of Usher?


My name is Arthur Gordon Pym. My father was a respectable trader in sea-stores at Nantucket, where I was born. My maternal grandfather was an attorney in good practice. He was fortunate in every thing, and had speculated very successfully in stocks of the Edgarton New Bank, as it was formerly called. By these and other means he had managed to lay by a tolerable sum of money. He was more attached to myself, I believe, than to any other person in the world, and I expected to inherit the most of his property at his death. He sent me, at six years of age, to the school of old Mr. Ricketts, a gentleman with only one arm and of eccentric manners- he is well known to almost every person who has visited New Bedford. I stayed at his school until I was sixteen, when I left him for Mr. E. Ronald's academy on the hill. Here I became intimate with the son of Mr. Barnard, a sea-captain, who generally sailed in the employ of Lloyd and Vredenburgh- Mr. Barnard is also very well known in New Bedford, and has many relations, I am certain, in Edgarton. His son was named Augustus, and he was nearly two years older than myself. He had been on a whaling voyage with his father in the John Donaldson, and was always talking to me of his adventures in the South Pacific Ocean. I used frequently to go home with him, and remain all day, and sometimes all night. We occupied the same bed, and he would be sure to keep me awake until almost light, telling me stories of the natives of the Island of Tinian, and other places he had visited in his travels. At last I could not help being interested in what he said, and by degrees I felt the greatest desire to go to sea. I owned a sailboat called the Ariel, and worth about seventy-five dollars. She had a half-deck or cuddy, and was rigged sloop-fashion- I forget her tonnage, but she would hold ten persons without much crowding. In this boat we were in the habit of going on some of the maddest freaks in the world; and, when I now think of them, it appears to me a thousand wonders that I am alive to-day.


The waters of the river have a saffron and sickly hue; and they flow not onwards to the sea, but palpitate forever and forever beneath the red eye of the sun with a tumultuous and convulsive motion. For many miles on either side of the river's oozy bed is a pale desert of gigantic water-lilies. They sigh one unto the other in that solitude, and stretch towards the heaven their long and ghastly necks, and nod to and fro their everlasting heads. And there is an indistinct murmur which cometh out from among them like the rushing of subterrene water. And they sigh one unto the other.



Back into the chamber turning, all my sour within me burning,
Soon again I heard a tapping something louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is and this mystery explore--
Let my heart be still a moment and this mystery explore;--
'Tis the wind and nothing more.
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he,
But, with mien of lord or lady, perched above my chamber door--
Perched upon a bust of Pallas just above my chamber door--
Perched, and sat, and nothing more.
Then the ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore--
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."




It was now midnight, and my task was drawing to a close. I had completed the eighth, the ninth, and the tenth tier. I had finished a portion of the last and the eleventh ; there remained but a single stone to be fitted and plastered in. I struggled with its weight ; I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in recognising as that of the noble Fortunato. The voice said -
"Ha ! ha ! ha ! - he ! he ! - a very good joke indeed - an excellent jest. We will have many a rich laugh about it at the palazzo - he ! he ! he ! - over our wine - he ! he ! he !"
"The Amontillado!" I said.
"He ! he ! he ! - he ! he ! he ! - yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone."
"Yes," I said, "let us be gone."
" For the love of God, Montressor! "
"Yes," I said, "for the love of God!"
But to these words I hearkened in vain for a reply. I grew impatient. I called aloud -
"Fortunato!"
No answer. I called again -
"Fortunato!"
No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in return only a jingling of the bells. My heart grew sick - on account of the dampness of the catacombs. I hastened to make an end of my labor. I forced the last stone into its position ; I plastered it up. Against the new masonry I re-erected the old rampart of bones. For the half of a century no mortal has disturbed them. In pace requiescat!


But see, amid the mimic rout
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes!--it writhes!--with mortal pangs
The mimes become its food,
And the angels sob at vermin fangs
In human gore imbued.
Out--out are the lights--out all!
And, over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
And the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, "Man,"
And its hero the Conqueror Worm.


Poe Cottage
Fortunately, the City offers a more respectable tribute to the horror master. The cottage where he lived from 1846-1847 with his cousin/wife Virginia and his mother-in-law has been preserved in Poe Park, at the Grand Concourse and East Kingsbridge Road, just a couple of blocks away.

When Poe lived in this small farmhouse there was no Grand Concourse, and the house stood far out in the country. That's what Poe was looking for, believing the clear country air would invigorate his ailing young wife, who had tuberculosis. Tragically, it did not work and Virginia died; one of his best-known poems, “Annabel Lee”, is thought to memorialize her.


Poe and his family were destitute while living in the little farmhouse. He was a literary success but had lost his savings in a failed magazine venture. The author and his mother-in-law had to forage in nearby fields for the family’s sustenance. The cottage itself was built in 1812 by farmer John Wheeler and stood on Kingsbridge Road until it was moved to its present location in 1913.


Annabel Lee
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea:
But we loved with a love that was more than love -
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her high-born kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me -
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud one night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we -
Of many far wiser than we -
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling -my darling -my life and my bride,
In the sepulchre there by the sea -
In her tomb by the sounding sea
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Photographs by Dennis Harper, who has also depicted Oliver Place, Dorothea Place, and West 230th Street in FNY.
erpietri@earthlink.net
Page completed February 7, 2010
2010 FNY