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| Been on an East Village run of late: just Sliced Avenue B, with a Tompkins Square Slice to follow sometime soon. I thought the time was right to do something about all the photos I shot on East 3rd, 4th, 5th, 6th and 7th Streets in June 2006 that I haven't used until now. With development at a breakneck pace in Manhattan despite the housing slump and recession in 2008, who knows if all of these sites are all still there!
We'll ramble on 3rd, 4th and 5th from the Bowery to Avenue D here, and then on East 6th and 7th sometime soon. |
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Like Popeye, your webmaster says "ghosks is the bunk" but Ghosts of New York City author Therese Langan-Schmidt disagrees and says that Gitty is still here, in a noncorporeal condition. Several workers and guests claim to have seen her.








RIGHT: 74 East 4th, home of the La MaMa experimental theatre, founded by Ellen Stewart in 1961. One of the three plays by Harvey Fierstein that became Torch Song Trilogy premered here in 1978.




ForgottenFans, help me here.







The eastern end of East 4th has some marvelously art-ed up buildings and an abandoned phone booth, which now looks like something out of an Aztec temple.


Go on in...the interior has to be seen to be believed.





Not sure who this artist is...Forgotteners, fill me in.

236 East 3rd Street: Nuyorican Poets Café, acclaimed forum for innovative poetry, music, hip hop, video, visual arts, comedy and theatre, founded in 1973 by Rutgers University professor (at the time) Miguel Algarin. Nuyorican moved to their present location in 1980. The mural depicts a Nuyorican co-founder, playwright Miguel Piñero (1946-1988) whose most famous work, the prison-themed Short Eyes, was staged in 1972 and won an Obie, was Tony-nominated, and became a feature film in 1977. The title is prison slang for a child molester.



I didn't pass the Kenkeleba Gallery, on East 2nd Street, but I did pass its back yard.
Named for a West African plant believed to possess spiritual powers, Kenkeleba House is dedicated to the exhibition of artworks by African-American, Latino, Asian-American and Native American artists. Kenkeleba House sponsors eight to ten exhibitions a year of four to five weeks' duration, often exploring historical or thematic issues. Exhibits have included Unbroken Circle, a show of works by African-American artists produced during the Work Projects Administration; and In the Spirit of Wood, a multi-ethnic exhibit of artists who use that medium. Kenkeleba has a substantial collection of contemporary American paintings, especially works by established and emerging African-American artists. [NYC Arts]


A pair of neighborhood institutions on East 3rd, either side of Avenue B, both signalled by colorful artwork: the Lower East Side People's Federal Credit Union and Mama's Food Shop.
The Place to B: Black 47 frontman Larry Kirwan lived nearby on Avenue B and kicked off his career with the Major Thinkers' song of the same name.


The day I passed, I spotted the Ghostly Gentleman of Providence on a poster. No doubt the old boy would have been horrified to have been the subject of LovecraCked! The Movie, in which...
With tongue planted firmly in cheek, our story follows the exploits of a bumbling investigative journalist as he struggles to discover the truth behind the enigmatic Lovecraft and his mysterious past.
Saints and Sinners


The city has tried to move the Angels out at times in the past, without success:
Club members have lived at the ramshackle East Village apartment house at 77 East Third Street since 1969. The building has developed a reputation as the scene for loud parties, drug deals, orgies and random acts of violence to passers-by. A Federal lawsuit was filed under a 1984 law allowing the Government to seize property used in drug trafficking. [New York Times, Feb. 5, 1994]


"Everyone has a story," said Amanda Daloisio, a member of the New York Catholic Worker as she describes life at Maryhouse. "It's fascinating, the story of many of the women that come here, some of them were famous child actresses, writers or happily married. But, it can all change so quickly and these women are examples of the victims of this struggle." Maryhouse is part of the Catholic Worker movement, founded by Dorothy Day (1897-1980) and Peter Maurin (1877-1949) in New York City, 1933. Both Day and Maurin were deeply influenced by the poverty of the depression, the Gospels and the Catholic Social Teaching. Day and Maurin went against the norm and sacrificed their own well-being and personal wealth to help people living in the slums of New York City. They believed in helping every human being. Although this moral motivation seems to be prevalent in many charitable organizations, the Catholic Worker lives up to its word. Today, there are 185 Catholic Worker communities in the United States. In New York City, Maryhouse and St. Joseph House, only a few blocks away from eachother, are houses of hospitality and soup kitchems for women and men.
Maryhouse offers showers, clothes and a soup kitchen to women. For many women, it is a safe haven. They come to relax and bond with the volunteer workers or the other women who are staying or eating at Maryhouse.
Unlike many other charitable organizations, the Catholic Worker is not government funded. Because the Catholic worker opposes war and holds the government accountable for economic policies that create poverty, they refuse funding from state and local government. Rather it is funded by the readers of The Catholic Worker newspaper and private donations. This community is also not tax exempt, believing that those who contribute should do so from a genuine sense of charity and personal responsibility and not to get something in return from the government. [Marymount School]


I was intrigued by the handsome building on the NW corner of 2nd Avenue and East 5th Street; developers are unwilling to build in this style anymore. There are not one but two Rex Cole GE signs above the first floor, indicaing it was equipped with Rex Cole-designed refrigerators in the 1930s. As I noted on FNY's Preservation By Default page:
So who was Rex Cole and why is his refrigerator on so many NYC housing projects? Cole (1887-1967) was originally a lamp manufacturer, then became associated with General Electric in the 1920s and designed white enamel Monitor Top refrigerators. Famed architect Raymond Hood designed a series of buildings in Bay Ridge, Brooklyn, the Grand Concourse, and Northern Blvd. in Flushing for Cole's showrooms that either looked like refrigerators or featured them in the design! Most are still standing but have been altered beyond recognition. Enamel signs proclaiming Cole's GE refrigerators can still be found on a handful of buildings around town.


317 East 5th, east of 2nd, with a distinctive window dressing.


Doorways, East 5th east of 2nd.
Next week...6th and 7th.
HOME | ADS | ALLEYS | CEMETERIES | COBBLESTONES | FORGOTTENSLICES | LAMPS | NEIGHBORHOODS | SIGNS | STREET NECROLOGY | STREET SCENES | SUBWAYS & TRAINS | TROLLEYS | YOU'D NEVER BELIEVE YOU'RE IN NYC | LINKS | FORGOTTENTOURS | SEARCH | FORGOTTENSTUFF | QUEENS CRAP | FRANK JUMP'S FADING ADS | OUT OF TOWN | BOWERY BOYS
Photographed June 2006; page completed March 29, 2008
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©2008