by Kevin Walsh

My interest in subway mosaics has been re-fired again, as it is every few years. I have a new admiration for the intricate mosaics that were assembled on station walls and signage in the subways between about 1914 and 1928 (after the initial Beaux Arts terra cotta and mosaics done in original IRT stations from 1904-1914.

Station appointments and signage from 1908 to the 1930s were developed by architect/artist Squire J. Vickers, who adjusted his approach over time from the florid Beaux-Arts period through a more mundane period in which subway tiling was more direct and informational, through the even more streamlined Moderne stations built for the Independent Subway from 1932-1948.

Two underground stations in western Queens (Vernon-Jackson and Hunter’s Point), belonging to the IRT Flushing Line, have acquired more importance in recent years as the surrounding area becomes more built-up. A third station, Court Square, is the site of a recent major transfer construction as the #7 train was united with the IND G, E and M stations.

Both Vernon-Jackson and Hunter’s Point, however, have remained almost unchanged in aspect since 1916, when the stations opened. Most original mosaic tiling is still in place and most exit/entrances are still open. Both stations can be considered living history.

I used to pass these “midperiod” mosaics by, since when you pass on the train, they look somewhat monochromatic. A closer look will dispel that notion. These are works of intricate design and beautifully rendered.

Earth tones dominate the Hunter’s Point signplates. The interior is small tiles of brown of varying shades. There’s a thin exterior border, mostly dark brown, but with lightr tiles shown in. And the outside border is light brown and khaki, perhaps some :hunter” green as well. The serif letters — used on both BMT and IRT signs from the era — are mosaicized as well but in different pieces.

I wish a type designer would develop a font based on theBMT/IRT lettering — look at that distinctive “R.”

Very occasionally Vickers would abbreviate a station name on signs by initials especially if the station name was two words. This approach has also been done at the 138th (Mott Haven) station in the Bronx. The signplate colors are repeated here, and also on mosaic strips at the ceiling line. Blue diamonds are interspersed at even intervals along the top. This motif is also repeated, as well as the H.P.’s, on platform pillars. Note that here, periods punctuate the abbreviation, whereas the ones at MH (Mott Haven) don’t.

This mosaic sign, at the entrance staircase, seems to have been removed or tiled over since I photographed it in 1999. At Queensborough Plaza, this line divides into branches going to Astoria (a BMT line) and originally, Corona (an IRT line).

The Flushing Line (originally called the Woodside and Corona Line) was one of two lines of the NYC subway to have been operated jointly by two different divisions: the IRT and BMT. The line, built by the City of New York, began April 21st, 1917 with IRT trains running between 42nd St / Grand Central and Alburtis Avenue (now 103rd St.), and joint operation with the BMT began in 1923. The line reached Main St, Flushing, on January 21st, 1928. Elevated BMT rolling stock had to be used on this line because platform clearances were built to IRT specifications east of Queensborough Plaza, and the 67′ BMT Standards, as a result, would not fit. BMT wooden cars and IRT steel cars terminated at the underground Main St terminal, but IRT 2nd Ave wooden cars terminated at Willets Point Blvd…

In the fall of 1949, the joint BMT/IRT service arrangement ended. The Flushing Line became the responsibility of the IRT, and the Astoria Line had its platforms shaved back, and became an extension of the BMT. Because of this, routes through the (then) 8 track Queensborough Plaza station were consolidated and the northern half of the structure was torn down. Evidence of where the torn-down platforms were, as well as the trackways which approached this area, can still be seen in the ironwork at the station.

In addition, the #7 runs in tunnels originally developed for streetcars in the 1880s by piano magnate William Steinway, who built an entire light rail transit system in Queens in addition to his piano works and workers’ housing in northern Astoria. When the Corona Line (as it was called then) opened to Queens in 1914, the Hunters Point station was the original loop track back to Manhattan. No trace remains as the station was built on top of it.

Of all the stations in the NYC subway system this is probably the one closest to the tunnel entrance/exit ramp to an elevated line, though East 149th in the Bronx and Carroll Street in Cobble Hill come close, too. In Brooklyn, the Wilson Avenue station in Bushwick was built along the Cemetery of the Most Holy Trinity and is stacked on two levels, with the southbound elevated and the northbound in a tunnel.

THE WHITEBIRDS. Shown here entering Hunter’s Point from the west in 1981 is an IRT R-33 trainset. In the early 198os the MTA pursued a brief strategy of painting cars on selected lines pure white, believing this would dissuade graffitist, who of course instead thought of them as blank canvasses. Greater security at trainyards eventually largely solved the problem. These cars were later painted maroon red, which earned them the moniker “Redbirds.” The cars were retired early in the 21st century. photo:



r185 October 19, 2011 - 1:13 pm

Feel free to file this under Shameless Plug, but…
Subway Ceramics A History and Iconography by Lee Stookey (1994 paperback)

See “kjpalermo” Amazon listing:

Ships/delivers from Long Island City!

Tom Mcgrattan October 19, 2011 - 1:53 pm

Yes I remember this one well. What always stood out as you mentioned was how close to the tunnel entrance the platform was- really nice on a good weather day!

Old Skool October 19, 2011 - 6:16 pm

I wonder how long it would take to photograph and document the entire system.

barb g October 21, 2011 - 2:12 pm

i bet some of the young uns out there will think that HP means hewlett packard…..

Sharon October 25, 2011 - 11:00 am

As an artist in Long Island City for many years, I’ve painted the nabe and the Vernon-Jackson subway mosaics were a subject awhile back. I’ve heard the Hunters-Point station will be going through a face-lift as the area has changed very much with new development.

Subwayboy1907 December 15, 2011 - 8:33 pm

I did not know that IRT,and BMT,conetced at Queensboro Plaza,until I got the book,Transit Maps of the World,By Mark Oveden.I will plan to visit the station again,and try to find the sign that says:TO.ASTORIA CORONA,this weekend.

Thank You for making this story.

KevinJWalsh December 15, 2011 - 10:11 pm

It doesn’t seem to be at the Hunters Point station anymore, I believe it got tiled over.

m March 28, 2012 - 9:32 am

FYI – the recent HP station renovations have revealed the “TO: Astoria Corona” Sign located midway up the stairs to the Queens-bound platform side. May be partially covered by construction partitions.- who knows if it will be preserved when the work is complete.

Forgotten point | Logorequired March 13, 2012 - 11:40 am

[…] HUNTERS POINT STATION | | Forgotten New YorkForgotten New YorkOct 19, 2011 … My interest in subway mosaics has been re-fired again, as it is every few years. I have a new admiration for the intricate mosaics that were … […]


Leave a Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.